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My fascination with fine art goes back to early childhood. I am completely self taught and was in full time employment when I decided to take my painting far more seriously. Because spare time was so limited I decided to paint still life. Obviously the subject matter was readily available and was the most efficient genre to develop skills. Still life demands that the artist learns how to deal with a vast range of colours and textures which go beyond the scope of more limited genres. As the years passed I realised how well this strategy had worked since I was now able to turn my skills to the most demanding and varied subjects which are finished in minute detail meaning that only a very limited number of paintings can be produced each year.

Being versatile enough to paint anything is the most stimulating and exciting aspect to my work. I am guided simply by what I perceive to be beautiful. I paint pictures which I would be pleased to hang on the walls of my own home to enhance my quality of life. My pictures have to be visually pleasing and provide the viewer with a feel good factor. My credo really is as simple as this. I am also truthful to nature and have “classical realism” approach to my work. I have combined traditional subjects with the most contemporary methods and materials now available to an artist. Using cutting edge spectral pigments and colour mixing techniques increases the luminosity of the painting.

An idea for a painting often comes to me and I begin the research for reference material which can take several years to complete. This process has led to the unexpected discovery of a subject and I have learned to keep an open mind and be alert to all possibilities. I spend a considerable amount of time researching genuine landscape, settings in appropriate light, colour etc to ensure the quality and authenticity of all of the component parts of a painting. I also use only real life models in period costume. No aspect of content or composition is imaginary.

My paintings are increasingly sought after and are in private collections in the UK, USA and Australia.

EXHIBITIONS, AWARDS AND FEATURES

1998 (April) Lancashire Life published a Four Page Feature.

2000 (February) International Artist magazine feature in the “Master painters of the World Showcase”.

2004 Daily Mail Not The Turner Prize-“Short listed”.

2006 National Exhibition Wildlife Art.

2006 “Wildart Expo” Bonhams Chester - awarded a “Commended” and a “Highly Commended”.

2006 The Wildlife Art Society International.

2007 National Exhibition Wildlife Art.

2007 The Wildlife Art Society International-Bronze Medal Winner.

2007 Milnthorpe Art Exhibition.

2007 Royal West of England Academy

2007 Royal Birmingham Society Of Artists

VIEWING MY PAINTINGS

I do not expect collectors to make a purchase based on what they can see of paintings on my website, nor can the quality be fully appreciated.

All purchases so far have involved me taking paintings to show to prospective clients without obligation. I realise that from time to time this will involve a long journey!

If you would like to take a closer look please make initial contact with me by telephone (01942 270965) or use the form below.

I look forward to hearing from you.

Prices start from as little as £795 for smaller works.

COMMISSIONS

If you do not see the type the type of painting you are looking for please contact me by telephone (01942 270965) or use the form below. Please specify the type and size of picture you want and I will give you details of cost and timescale. A 50% deposit is required for commissions.

All Cheque payments must clear before paintings are released.

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